Sarah LeBoeuf

Thimbleweed Park has more than made good on its promise, bringing the joys of pointing, clicking, and verb usage to the modern era.

With original designer Greg Johnson at the helm, Back in the Groove plays like a love letter to the 1991 release.

Perception takes narrative horror even further by throwing in a blind protagonist, whose only means of “seeing” is making noise to use echolocation—which is everything you’ve been taught not to do in horror games.

It’s not a huge departure from the themes and gameplay of the last two Persona games, but there are enough successful tweaks to the formula that Persona 5 feels both familiar and wonderfully new.

Partially inspired by the infamous Jonestown cult, The Church in the Darkness has you seeking a nephew swept up in a South American cult's machinations.

If you stumbled upon My Memory of Us at IMGN.PRO’s booth on the PAX East show floor, you’d think it was rather innocuous. Look a little deeper, however, and you’ll see the real story of children coping with a historical horror with only friendship and their imaginations to guide the way.

The American Dream presents a 1950s world where “all of your everyday needs are solved with guns.” It’s a cleaned-up sitcom version of a decade plagued by civil rights unrest and communism hysteria, and guns play a central role in that imagined utopia.

Nintendo’s latest console, the Switch, is off to a promising start, and next month Mario Kart 8 will get a rebirth of sorts, this time in Deluxe form.

As fans know, 50 hours is maybe the halfway point in Persona, so we’re not quite done yet. In the meantime, here are five things we’re absolutely loving about Persona 5.

Phoenix Labs is home to many fans of Monster Hunter, and that showed in our preview of its upcoming multiplayer action game, Dauntless.