"It's about time you showed up, Fox!" After eleven years, the ace fighter pilot and his team of mercenaries are returning to a home console in Star Fox Zero, and a long hiatus like that creates some major expectations. Surely if Nintendo thought it was time to bring back Star Fox now there'd be some big things in store, right? Well it seems those "big ideas" aren't quite as big as I had hoped.
Reviews - Page 3
The Ratchet and Clank series has been around long enough to earn a number entries for the franchise. While most of them have been the third-person action platformers the series is known for, there have been outliers throughout the years. Games like Ratchet and Clank: All 4 one and Full Frontal Assault added things like drop-in drop-out co-op and tower defense elements to deviate from the formula. This year's revisiting of Ratchet and Clank attempts to take the series back to its roots, while also tying into the upcoming movie that retells the events of the first game. Ratchet and Clank isn’t a remaster or a direct remake of the original because of it. More than anything the changes made in this reboot have improved on what made the first game so memorable.
It seems like only yesterday that Bloodborne came out. Indeed, it’s actually only been a little bit over a year since its initial launch and its last DLC came in late November 2015. Nonetheless, here we are at Dark Souls III, and despite that alarmingly short timeframe, this game doesn’t feel rushed in the least. In fact, it feels like a culmination of all of From Software’s experience brought in at the highest level. However, where Dark Souls II felt like a continuation and natural evolution of the original Dark Souls, Dark Souls III feels more like an extension of Dark Souls II mixed with a few fresh lessons learned from Bloodborne to create a richer and more powerful overall experience.
We’ve all made mistakes and have regrets. For most of us, there’s nothing within our own power to go back and make things right. But what if we could? Dodge Roll poses and answers this question in the same breath with Enter the Gungeon’s end goal -- a gun that can kill the past. That’s just a little slice of the story though. Beyond that, nothing much is told to you up front. You’ll learn the rest of this twin-stick shooter’s history talking to NPCs, fighting enemies, and deciphering the fabled Ammonomicon.
If you combined the hack-slash-evade combat mechanics from Dark Souls and simplified, top-down style Hotline Miami, and threw them into a post-apocalyptic cyberpunk world, you'd have Hyper Light Drifter. While it does borrow from those games, and others in smaller ways, this game is still a unique experience. Hyper Light Drifter’s sound and visual design do a great a job of building a world that feels surprisingly alive for being so empty. Narratively there are hints of a much larger story than what’s presented but without an actual payoff, you’re left wandering through an interesting and beautiful world that never really makes much sense. That’s only where the frustration begins with Hyper Light Drifter however thanks to some questionable design choices.
Exploring the tragic and mysterious history of The Walking Dead's Michonne sounded like a great idea when Telltale Games announced its mini-series. Finally, we'd get to see things from the perspective of one of the comics' most intriguing and deadly characters. However, the first episode of The Walking Dead: Michonne was fairly rudimentary and didn't quite break narrative ground in the way we'd hoped it would. Still, with two episodes remaining, there was hope Telltale had something new to say in this world and about this character. The Walking Dead: Michonne's second episode, "Give No Shelter," manages to give a bit more insight into our protagonist's past and motivations, even if it still feels like we've been down this road before.
Time is broken and the world is going to end. Though Jack Joyce didn't exactly put the entire human race at risk himself, his being complicit in Paul Serene's unsanctioned plan to test a very big time machine gives him a bit of cause in trying to put things right. Since Jack happens to be in the immediate vicinity of the time explosion, he finds himself able to stand outside of time and occasionally control it. This comes in handy since Monarch, the shady corporation funding Serene's ambitious plans, is on the scene immediately to capture Jack to cover up their own fault in the dire situation. It's almost as if they knew something horrible was going to happen on this day.
When it comes to the horror genre in the gaming industry, it’s become somewhat standard at this point that the biggest and best titles sell themselves in horrific gore and/or jump scares. Classic series like Resident Evil established a formula and more recent games like the widely praised Until Dawn and the Five Nights at Freddy’s series have carried the torch fueled by brutal monsters and intense in-your-face frights. Ape Law set out to buck against the trend with Albino Lullaby: a first-person experience that takes players on a psychological horror adventure without gore or jump scares. While Albino Lullaby’s first episode doesn’t quite succeed in keeping tension or fear all the time, it is nonetheless an engrossing and unique take on the horror genre.
The infinite blackness of space wraps around you, apathetic to your suffering. A confetti of space debris threatens to slice what little remains of your space suit as you struggle to bound your way over the shattered hull of the space station. A beeping tone in your ear tries to inform you that you’re running out of air, but your tunnel vision and gasping breaths beat the beeps to it. If you can’t get this space station at least partially up and running, you’ll be dead in hours. The spatial adventure Adr1ft would be a hell of a thrill ride… if it weren’t so boring.
When a player ventures into a rogue-like pilgrimage game, there are certainly things to be expected. The game should deliver an experience that provides a player with the tools to plan a successful journey tailored to their favored playstyles while providing them with a mass of random obstacles bent on stretching their every resource and leaving aforementioned success in critical jeopardy. Randomness is the name of the game and success or failure can be luck of the draw just as much as careful resource management. Into the Stars is the type of game that will push you on those very grounds and once you’re in it, the journey is great the first few times. Unfortunately, some glaring bugs and technical issues take luck of the draw to a level that quickly sucks the fun out of the experience.